It’s no secret the one-year-old Artisphere in Rosslyn has vocal critics, who harp on the fact that the cultural venue has been bleeding taxpayer dollars while attracting a lower-than-expected audience. But supporters say the Artisphere still has promise, and needs more time to prove itself while a new business plan is implemented.
Artisphere Executive Director Jose Ortiz admits that errors have been made, but hopes that even Artisphere’s most ardent critics can place their focus on the future.
“We have all acknowledged we didn’t meet the unrealistic goals set in the original plan,” Ortiz said. “Not all of these ideas and thoughts were great and now we’re fine tuning that.”
One of the main goals supporters deem unrealistic was the thought that Artisphere would quickly make back the money invested in it, and then turn a profit. They say it’s now clear to everyone that’s not the way a business works. Ortiz believes the project simply needs more time.
“Creating an urban art center of this magnitude is really an enormous task,” Ortiz said. “It’s unrealistic to think you’re going to open the doors and have success from the first day.
“Everything takes time,” agreed Rosslyn BID Executive Director Cecilia Cassidy. “These things don’t become overnight successes.”
While addressing low attendance and revenue, Cassidy emphasizes that Artisphere was designed to be one piece in a larger puzzle of developments intended to give Rosslyn a boost. It was slated to open nearly simultaneously with several other large developments within walking distance, such as JBG’s CentralPlace project. However, a lagging economy delayed the nearby developments, and Artisphere had to bear the load of drawing people to the area on its own.
“Artisphere is here a bit ahead of those major developments that are going to bring thousands of people to Rosslyn,” Cassidy said. “Timing is everything. Who would have known the economy would be struggling as much as it is at this point in time?”
Ortiz said another problem is that Artisphere was sold differently to different people. He said it was being billed as an art place for everyone without specifying what that meant.
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